In 1921, the launch of Daimo by Babani coincided with a period of growing fascination in Western culture with Japan, particularly its art, aesthetics, and gardens. This era marked the height of Japonisme, where Japanese influences permeated European and American art, fashion, and design. Japanese gardens, renowned for their serene beauty and meticulous design, symbolized tranquility, harmony with nature, and an escape from the rapid industrialization of the early 20th century.
The name "Daimo," which translates to "Great Lord" or "Great Name" in Japanese (大名), carries significant cultural connotations. Historically, "Daimyo" referred to powerful feudal lords in Japan during the feudal period, known for their wealth, influence, and refined tastes. By choosing this name, Babani aimed to evoke a sense of grandeur, sophistication, and perhaps an exotic allure associated with the mystique of Japan.
For Babani, "Daimo" would be a fitting name for a perfume as it suggests luxury, elegance, and an air of exclusivity. Perfumes often draw on cultural motifs and aspirations of the time, and in the 1920s, Japanese culture represented an idealized aesthetic of refinement and artistic sensibility in the West. A perfume named "Daimo" would appeal to individuals who admired Japanese artistry, gardens, and the serene beauty associated with the country.
