Note: Please understand that this website is not affiliated with the Elizabeth Arden company in any way, it is only a reference page for collectors and those who have enjoyed the Arden fragrances.


The goal of this website is to show the present owners of the Arden company how much we miss the discontinued classics and hopefully, if they see that there is enough interest and demand, they will bring back your favorite perfume!


Please leave a comment below (for example: of why you liked the perfume, describe the scent, time period or age you wore it, who gave it to you or what occasion, any specific memories), who knows, perhaps someone from the company might see it.

Showing posts with label Poppye. Show all posts
Showing posts with label Poppye. Show all posts

Friday, August 30, 2013

Poppye by Elizabeth Arden c1920

The name "Poppye" evokes both a sense of delicate beauty and hidden mystery. The word itself is a playful, altered version of the common poppy flower, with the "e" adding a soft, feminine flourish to the word, hinting at something more exotic and luxurious. Pronounced as "Poh-pee," it’s a name that rolls off the tongue with an almost whimsical, yet sensual allure. Poppies, often associated with both sleep and sensuality due to their connection with opium, bring an image of vivid, scarlet petals swaying gently in the breeze—a delicate flower that beckons with its bright, alluring beauty. To women in the 1920s, "Poppye" would have conjured both innocence and indulgence, a flower known for its beauty and its whispered mysteries. In this context, the name would speak of a sophisticated, enigmatic femininity—one that combines softness with a touch of untamed allure. It would evoke feelings of romance, sensuality, and a hint of the exotic.

By naming the fragrance Poppye, Elizabeth Arden was tapping into the cultural imagination of the time. In the aftermath of World War I, women were embracing a new era of freedom, sophistication, and boldness. The 1920s was a decade of change—flapper dresses, jazz music, and a more liberated approach to beauty and fashion. "Poppye" would have felt like the fragrance of a modern woman: confident, alluring, and not afraid to indulge in something a bit exotic and mysterious. The term itself would have struck a romantic chord, while at the same time, the "golden" hue of the fragrance would symbolize a sense of preciousness, wealth, and glamour—qualities that the women of the era, who were moving into a more progressive time, would have embraced.

Poppye was classified as an aromatic oriental floral fragrance, and this genre was quite popular in the 1920s, aligning with other perfumes of the time like Shalimar by Guerlain and Chanel No. 5—rich, sophisticated, and complex fragrances with both floral and spicy elements. While Poppye would have resonated with the luxurious and exotic themes of the era, it was still distinct. The "languorous" and "melting mystical scent" described in its marketing speaks to the soft, almost narcotic quality of poppies themselves, with their tender petals hiding a deep, intoxicating fragrance. The interplay of floral sweetness and spicy warmth would have reflected the rich, multi-layered personality of the modern woman, someone who was sophisticated yet mysterious.