In 1920, the year Sousouki by Babani was launched, it was a time of profound cultural and artistic exploration, particularly influenced by the enduring popularity of Giacomo Puccini's opera "Madame Butterfly." Set in early 20th-century Japan, the opera evoked themes of love, betrayal, and cultural clash, resonating deeply with audiences of the time. The character Sousouki, Madame Butterfly's maid, symbolized fidelity and support amidst the tragedy of unrequited love and cultural misunderstanding.
The name "Sousouki" itself is derived from Miscanthus sinensis, commonly known as Japanese silver grass or susuki in Japanese. This plant is native to East Asia and holds cultural significance in Japanese aesthetics, often featured in traditional paintings and poetry for its graceful appearance and seasonal symbolism.
Babani's choice of "Sousouki" as a perfume name likely aimed to evoke a sense of elegance, cultural richness, and perhaps a touch of melancholy associated with the opera's narrative. In the early 20th century, naming a perfume after a character from a beloved opera would have appealed to those who appreciated the arts and sought sophistication in their fragrance choices.
