Note: Please understand that this website is not affiliated with the Elizabeth Arden company in any way, it is only a reference page for collectors and those who have enjoyed the Arden fragrances.


The goal of this website is to show the present owners of the Arden company how much we miss the discontinued classics and hopefully, if they see that there is enough interest and demand, they will bring back your favorite perfume!


Please leave a comment below (for example: of why you liked the perfume, describe the scent, time period or age you wore it, who gave it to you or what occasion, any specific memories), who knows, perhaps someone from the company might see it.

Wednesday, March 16, 2022

Just a Dash by Babani c1928

In 1928, the period in which "Just a Dash" by Babani was launched was marked by a vibrant cultural shift in Europe, particularly in Paris, where art, fashion, and perfumery flourished amidst the aftermath of World War I. This era saw the rise of the Art Deco movement, characterized by its sleek lines, geometric shapes, and a celebration of modernity and luxury.

The name "Just a Dash" in English carries a playful and enticing connotation. Babani, known for his cosmopolitan approach and often using foreign languages in his creations, might have chosen an English name to appeal to the international clientele of Paris, a hub of global culture at the time. "Just a Dash" suggests a subtle addition, a touch of something delightful and luxurious, aligning perfectly with the allure of perfumery.

For Babani, "Just a Dash" could have been a fitting name for a perfume because it evokes a sense of sophistication and refinement while also hinting at a sense of mystery and allure. The name implies that this perfume is not overwhelming but rather a subtle enhancement to one's aura and presence, appealing to those who appreciate understated elegance.


The audience for "Just a Dash" would likely have been fashionable men and women of the time, socialites, artists, and intellectuals who frequented Parisian salons and cafes. They would have responded to this perfume with intrigue, drawn to its promise of sophistication and its modern, cosmopolitan appeal.

The name "Just a Dash" conjures images of elegance and refinement, suggesting a hint of luxury captured in a bottle. It evokes feelings of anticipation and allure, inviting one to imagine the subtle yet captivating essence it promises to impart. In the context of 1928, this name would have resonated with those seeking to embrace the spirit of the Jazz Age, where sophistication and a touch of indulgence were highly valued.

Fragrance Composition:


I have no published notes on this composition. I would need a sample to tell you what it smells like.


Home Journal, 1928:
"Babani of Paris has created another charming scent "Just a Dash." It is the fashion favorite of particular Parisiennes. Miss HOPE WILLIAMS of "Paris Bound," always an admirer of Babani Perfumes, and one of the first to affect "Just a Dash."


Bottles:


"Just a Dash," presented in a clear crystal bottle with a frosted stopper in a sober Art Deco style, epitomized the elegance and modernity of its time. The choice of materials and design elements reflected the aesthetic principles of the Art Deco movement—clean lines, geometric shapes, and luxurious materials. The crystal bottle exuded a sense of luxury, showcasing the perfume within while the frosted stopper added a touch of refinement.

Unlike conventional perfume bottles of the era that often featured paper labels, "Just a Dash" opted for a more sophisticated approach. Its name was meticulously engraved into the glass, and the letters were highlighted with gold enameling. This bespoke detailing not only elevated the bottle's appearance but also spoke to the craftsmanship and attention to detail synonymous with Babani's creations.

The Art Deco style of the bottle and its engraved, gold-enameled name conveyed a sense of understated luxury and exclusivity. It catered to a clientele who appreciated fine craftsmanship and sought out perfumes that reflected their refined tastes. The absence of a traditional paper label further emphasized the perfume's minimalist yet elegant presentation, allowing the craftsmanship of the bottle itself to shine through.

For consumers in 1928, encountering "Just a Dash" would have been a sensory and visual experience. The crystal bottle, with its frosted stopper and meticulously engraved name accented with gold, would have been a testament to the perfume's quality and sophistication. It not only housed a luxurious fragrance but also served as a coveted objet d'art that adorned dressing tables and mirrored the spirit of its glamorous era.






Fate of the Fragrance:


"Just a Dash," a perfume that encapsulated the essence of 1920s Parisian sophistication with its Art Deco crystal bottle and engraved gold-enameled name, unfortunately met its end at an unknown date when it was discontinued. Despite its allure and the craftsmanship that defined its presentation, the reasons behind its discontinuation remain a mystery lost to time. Perfumes often face the challenges of changing tastes, market dynamics, and the evolution of perfume trends, all of which could have played a role in its eventual departure from the shelves.

For enthusiasts of vintage perfumes and collectors of Art Deco artifacts, the discontinuation of "Just a Dash" adds to its mystique and desirability. Its departure from production leaves behind memories of an era where elegance and refinement were distilled into a perfume that spoke of luxury and sophistication.

Today, "Just a Dash" remains a symbol of its time—a testament to the craftsmanship and design aesthetics of the Art Deco period. Its legacy lives on through those who cherish its memory and seek to understand the allure that once captivated the senses in the bustling streets of 1920s Paris.


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