In 1919, the launch of the perfume "Ming" by Babani occurred against the backdrop of fascination with exotic cultures and the allure of distant lands. The name "Ming" in Chinese translates to "bright" or "shining" in English, carrying connotations of radiance, elegance, and sophistication. Babani likely chose this name to evoke the splendor and richness associated with the Ming dynasty of ancient China, renowned for its cultural achievements and grandeur.
For perfume marketing in the early 20th century, the name "Ming" would have been captivating. It conjures images of serene Ming gardens with their meticulously designed landscapes, tranquil ponds, and delicate floral scents. Emotionally, "Ming" suggests a sense of refinement, harmony, and timeless beauty, appealing to those seeking escapism and luxury in their fragrances.
The subtitle "breath of Old China" further enhances its allure, promising wearers a sensory journey to a bygone era of elegance and grace. Described as youthful, zesty, gay, and sparkling, the perfume "Ming" would have appealed to individuals embracing the vibrancy and optimism of the post-war period, where a desire for joyous and refreshing scents prevailed.
Those who related to a perfume named "Ming" would likely have been drawn to its promise of exoticism and sophistication, envisioning themselves transported to a realm of ancient beauty and cultural richness. The name itself, "Ming," would evoke imagery of ornate temples, silk robes, blossoming gardens, and the tranquility of traditional Chinese aesthetics, resonating deeply with admirers of Eastern mystique and timeless elegance.
