Memoire Cherie by Elizabeth Arden c1956

Memoire Cherie by Elizabeth Arden: launched in 1956. The Grecian goddess of memory is depicted on the packages.

Cabriole by Elizabeth Arden c1977

Launched in 1977, Cabriole by Elizabeth Arden was a fragrance designed to capture the grace, femininity, and vitality of its era. The name “Cabriole,” pronounced cab-ree-ohl, is derived from the French term for a ballet movement—a leap accompanied by a turn of the legs mid-air. This choice of name was both evocative and sophisticated, suggesting elegance, lightness, and a sense of joyous motion. For women of the time, the name “Cabriole” likely conjured images of fluidity and refinement, evoking emotions of aspiration and freedom.

The ballet reference would have resonated particularly well with the 1970s audience, a time when women were embracing more liberated roles and identities, often balancing grace and strength in their personal and professional lives. A perfume named “Cabriole” would have appealed to the modern woman seeking a scent that symbolized this duality—delicate yet confident, traditional yet adventurous.

In terms of its composition, Cabriole was classified as a soft, aldehydic floral fragrance, a popular genre at the time but delivered with Arden’s signature twist. It opened with a bright and fresh green aldehydic burst that immediately captured attention, reminiscent of crisp morning air infused with leafy vitality. The heart of the fragrance bloomed into a bouquet of sweet florals such as rose, jasmine, and lily of the valley, interwoven with sweet spices that added depth and intrigue. This floral heart was balanced by a warm, woodsy, and powdery base, featuring notes like sandalwood, musk, and perhaps a touch of orris, grounding the fragrance in femininity and elegance. The result was an exhilarating blend described by Arden as “flowers and more flowers mixed and mingled with spices and leafy green notes.”

Blue Grass by Elizabeth Arden c1934

Blue Grass by Elizabeth Arden: launched in 1934, created by perfumer George Fuchs of Fragonard.

My Love by Elizabeth Arden c1949

Launched in 1949, My Love by Elizabeth Arden carries a name as timeless and evocative as the fragrance itself. The phrase "My Love," spoken in English, is a universal expression of deep affection, tenderness, and devotion. Phonetically, it is simple and melodic, evoking intimacy and warmth. The name conjures images of handwritten letters sealed with care, stolen glances across candlelit dinners, and the enduring strength of romantic and familial bonds. It resonates with universal human emotion, making it instantly relatable and aspirational to women of the time.

In the post-war era, women were seeking moments of softness, grace, and self-expression, and a perfume called "My Love" would have represented a personal embrace, a cherished memory, or the promise of future joys. It was more than a fragrance; it was a sentiment encapsulated in a bottle, offering women a tangible connection to love in all its forms.

The name My Love translates seamlessly into the language of scent. A vivacious aldehydic light floral fragrance, it symbolizes the buoyant and uplifting qualities of new beginnings and enduring hope. The effervescent aldehydes in the top notes provide a sparkling introduction, much like the exhilaration of love itself, while the floral heart blooms with romantic softness and vitality. The bouquet of delicate jasmine, creamy ylang-ylang, and sweet narcissus reflects love’s multifaceted nature—tender, passionate, and enduring.

The warmth of the base notes, with comforting vanilla, velvety sandalwood, and animalic musk, adds depth and sensuality, mirroring the complexity and richness of true affection. My Love captures the essence of a woman’s inner world—sophisticated, emotional, and timelessly alluring.

Mille Fleurs by Elizabeth Arden c1939

Mille Fleurs by Elizabeth Arden, launched in 1939, evokes a rich tapestry of floral beauty and history. The name Mille Fleurs (pronounced meel-FLUHR), French for "a thousand flowers," immediately conjures images of opulent fields bursting with blooms. The name also nods to an enduring European tradition in perfumery, dating back to the Georgian and Victorian eras, when Mille Fleurs compositions—complex blends of fragrant floral waste—were repurposed into luxurious fragrances. Arden's choice of name was both a homage to the legacy of perfumery and a strategic move to link her brand to the sophistication and artistry associated with French perfumes, as many of her creations were made in Paris.

The very term Mille Fleurs is inherently evocative. It suggests abundance, variety, and the natural splendor of a sunlit meadow filled with flowers. For women in the late 1930s and early 1940s—a time marked by economic recovery from the Great Depression and the looming uncertainties of World War II—the concept of Mille Fleurs offered an escape into a world of beauty and possibility. The fragrance name symbolized a celebration of nature's bounty and the promise of renewal, themes that resonated deeply with the era’s aspirations.

Night and Day by Elizabeth Arden c1935

Launched in 1935, Night and Day by Elizabeth Arden entered a world that was both glamorous and tumultuous. Named after Cole Porter’s iconic song from the Broadway play The Gay Divorcee, the perfume’s title evokes a timeless duality—the juxtaposition of light and dark, love and longing, passion and poise. The name "Night and Day" stirs a spectrum of emotions, from the bright optimism of daytime pursuits to the mystery and allure of evening romance. For women of the 1930s, the name would have conjured a sense of sophistication and possibility, resonating with the elegance of Porter's lyrics and the burgeoning freedom of a modern woman’s lifestyle. The imagery of "night" and "day" translated into fragrance suggests a composition that bridges contrasts: luminous freshness balanced by shadowy depth, vibrant florals softened by bittersweet, spicy intrigue.

The 1930s marked an era where perfume became an essential accessory for women expressing their identities and desires. The world was recovering from the Great Depression, and while luxury was scarce, perfumes offered an attainable escape into elegance. Fragrance trends leaned toward bold, dramatic compositions that mirrored the opulence of Hollywood’s Golden Age. Perfumes like Tabu by Dana (1932) and Shalimar by Guerlain (1925) were celebrated for their exotic, sensual character, while lighter floral fragrances retained a place for daytime wear..